“For my friend Fong,” he says, and begins singing John Denver. If you didn’t know it already, now you do: old dudes from rural Taiwan are comfortable with their karaoke and when they do karaoke for some reason they love no one like they love John Denver.

Maybe it’s the dream of the open highway. The romantic myth of the West. A reminder that these funny little Orientals have actually been Americans longer than you have. Know something about this country that you haven’t yet figured out. If you don’t believe it, go down to your local karaoke bar on a busy night. Wait until the third hour, when the drunk frat boys and gastropub waitresses with headshots are all done with Backstreet Boys and Alicia Keys and locate the slightly older Asian businessman standing patiently in line for his turn, his face warmly rouged on Crown or Japanese lager, and when he steps up and starts slaying “Country Roads,” try not to laugh, or wink knowingly or clap a little too hard, because by the time he gets to “West Virginia, mountain mama,” you’re going to be singing along, and by the time he’s done, you might understand why a seventy-seven-year-old guy from a tiny island in the Taiwan Strait who’s been in a foreign country for two-thirds of his life can nail a song, note perfect, about wanting to go home.

Our “present” does not extend throughout the universe. It is like a bubble around us.

How far does this bubble extend? It depends on the precision with which we determine time. If by nanoseconds, the present is defined only over a few meters; if by milliseconds, it is defined over thousands of kilometers. As humans, we distinguish tenths of a second only with great difficulty; we can easily consider our entire planet to be like a single bubble where we can speak of the present as if it were an instant shared by us all.

‘Is there anything you would not give me?’ she had once asked.

‘Nothing,’ he had said, instantly. ‘There is nothing.’

For some reason, she had kept looking at him, and had waited.

‘Well,’ he had said, clearing his throat. ‘Maybe the land. I wouldn’t want to give you the land.’